Hello Readers again!

It seems that every time I post it's always an updated post, it seems I've gotten more busier than I thought. I've been currently working on scriptwriting, book illustrating and also of course college. There's two things I want to focus on, one being that the last issue of Classic Pop Magazine, I will also discuss this on my collections blog, this particular issue I truly believe is a nice one because it focus on more brilliant artist and bands and furthermore, I don't think any pop magazine that I know of, have focused on a life of a deceased artist. There's a nice description on Eric Watson, I feel like I understand who this artist was and I always love when anyone show respect for an artist behind the scenes, it really shows how they care. I gotten this about two weeks ago but I've been having writer's block and again been busy with other things. I have more items for my collection but since I've not finished observing them, I can't really discuss them yet. Sorry for the quality of this photo, it's my instragram photo I took from my iPhone. I know that's very unprofessional but I'm okay with it.

Also breaking news is that Pet Shop Boys have left Parlophone after 28 years!!! I SERIOUSLY COULDN'T BELIEVE IT!!! But I was glad for them, honestly I wished they would do their own label  Spaghetti Records, but I guess this is still as good! Now as I see this happening, the single choice for Elysium made sense! And in the following sentences I will explain what I thought about that!

Well "Invisible" wasn't the single but it was the leaked song that a lot of people were wondering was it a demo or what. But I think the symbolism for it was that to Pet Shop Boys, they were "invisible"  to Parlophone, meaning that whatever they wanted to do, the company didn't care or whatever the reason. That was like a prequel to strike 1 on this "leaving"

"Winner" I think they felt victorious rather they released the album or not, with the chosen singles or what have you. They I guess knew that they was going to get the upper hand soon enough. The selling out part, I didn't understand, and I still believe it was the company's fault for that but who knows maybe PSB wanted the exposure, but I honestly think that's going against their own ethos if that makes any sense.

"Leaving" a lovely single, I guess it does have to deal with death and "memory" but I think it also was subliminal on their official leave and break away from Parlophone, they are artist for crying out loud! They have to be liberated and not control, well in today's society, you really can't make a choice can you? And the tempo itself it seems like it was in a positive tone so it might have been a good sign they were really well on their way!

"Memory of the Future" or should I say "Memory of the Past" since personally it's a good track but not really a single track in my opinion, I think this was another subliminal message that all of what they done in the past with Parlophone will be nothing more than a mere memory and they are starting off fresh, I heard that Kylie Minogue left Parlophone too, so who knows what they have done to wonderful artists!! And have anyone noticed that the Boys didn't really stay too long with the Elysium era? it was so rushed off, it's barely an era! I mean no video for the third single?? I was actually kind of ticked off. A good friend of mine, told me previous they should but unfortunately didn't, but now I can understand the reason now. They had something better planned in mind! And the last couple of videos minus the "Invisible" one I actually like that one, "Leaving" video was so much better than "Winner" I still believe they could have done something better because, it's kind of insulting for someone in the LGBT community, it's not a strong message and honestly I can't really feel like a "winner" when I hear it. 

I don't know if this make any sense at all to you guys but that's what I'm getting from all of this! By Pet Shop Boys choice, I think they are liberated from this and are releasing a brand new album also with the tour name called "Electric" I heard the teaser and I heard a clash of Kraftwerk and bit of their older demos and previous Disco compilations in other words, vintage and modern are into this chemical bond and will create a special work of art. I know they are working with Es Devlin that also did their previous concerts Pandemonium and the Fundamental tour and the album is produced by Stuart Price ( which also worked on other artists similar to PSB and and associate acts of them) that also did producing work for them and if I'm not mistaken did the new single mix and/or produced it. Sorry if my facts are rusty, it's been awhile. But now as this came out, I really can't wait for the new tour, hopefully they will release the US tour dates soon, I still want to take my mother to see them. I don't know but some reason this new tour sounds like it's going to symbolize one of their previous tours and add a new zip to it! Can't wait! 

Happy 66th Birthday to Mr. David Bowie!!!

I’ve listened to David Bowie’s “Where Are We

Now?” from his new album The Next Day on the computer today, what a way begin after ten years! A friend of mine on twitter told me something quite interesting how this song and another song from the movie The Ice Storm called “I Can’t Read” have a similar if not the same mellow tone as “Where Are We Now?”  There are some intriguing references and similarities that I also noticed. One being that the cover art of The Next Day was a subvert of Heroes which was back in 1977, not only that it looks similar to Pet Shop Boys Elysium cover art, the square in the middle of the portrait.  “I Can’t Read” the video was directed by Tim Pope and Soft Cell was one of the bands he directed and if I’m not mistaken Marc Almond liked the new single as well, but was sad he didn’t see it sooner or something.  Two is that “I Can’t Read” and “Where Are We Now?”, have Bowie’s face in an oval shaped facial expression like a mask. Another thing is that both videos have to do with surrealism and expressionism art and a vintage or desolate and abandon them. Which will bring to my next similarity I’ve noticed Bowie mentioned about “walking the dead” and how Pet Shop Boys “Leaving” is a theme about a subject about being “dead and fading away” and I’ve read Clare McCreesh’s blog about the similarities between Bowie’s new single and Pet Shop Boys’ Elysium about how the two videos had a black and white footage of Berlin. And it could be a high possibility that Bowie referenced The Pet Shop Boys, in fact if that’s the case, that would be really cool and astounding because they did collaborated with them for “Hallo Spaceboy” and he is one of their inspirations. Not only that but if it was like "Leaving" and the "Where Are We Now?" on the same album, then it would be like a continuation on a journey of some sort. There’s also a photo of David Bowie on the official Pet Shop Boys site, it reminded me of the Pandemonium where Neil and Chris with the cubes for heads. I find this quite amazing!  I’m glad David Bowie is back with music, also really cool to start the New Year and his birthday! I think there's a tiny reference of "I'm With Stupid" on "Where Are We Now?" because of the heads being on some dummies body. 

Pet Shop Boys Elysium art review

The vinyl and double CD of Pet Shop Boys Elysium.
The rainbow was coincidental on there from my crystal statue by the window.

Recently, I have been listening to Pet Shop Boys latest album Elysium and I must say I was truly impressed.  It is the eleventh studio album produced by the band as well as Andrew Dawson, the producer beyond Kanye West, Jay-Z, etc. I gotten my copy at the Amoeba store, as I’m finding myself in the store a lot lately, the price wasn’t so bad either. I actually ordered mine on Amazon but apparently they didn’t have one at stock, so basically I waited for nothing. So I called and checked and finally came to the conclusion to just cancel it and then go to the store.  I guess it was a reason for me to get it there because I not only gotten the double disc but also the vinyl, as well as “Suburbia”(Chris on the front cover) and “Opportunities” (Gray cover).  I’ll be frankly honest, when I first saw the cover, I wasn’t all that enthuse about it because it did look like an image slapped on something or wasn’t thought of properly. But when I saw it in person, it looked beautiful and after knowing what it was about, it made much sense. The vinyl looks so beautiful it was a submerged of the regular edition (the water and sand) and the double disc edition (the sky) together like a mirroring image. And the choices of the colors amazed me even more: the blue and orange kind of gave me a Very/Can You Forgive Her? Type feel and ironically at the closing ceremonies, they had the cone hats but they were in black but still. But the album itself is more of a Behaviour-esque sound than any of their albums; the whole part of reflecting and calmness and about afterlife and death and depicting a story it a fascinating way. The sleeve covers as well really intrigued me because I would discuss about primary and secondary colors and now it’s like it’s a coincidence. The sleeves on the vinyl are orange and a deep purple which are secondary colors and then on the double disc it had one primary color which is blue and the other two are secondary colors: brighter purple and green. The packaging for the deluxe edition is nice just, like the Format and (so I have read) like the PopArt 3 CD set. And it gets even better about the album, is that it was very unusual that they released the second CD with all instrumentals, because I adore a lot of their instrumentals it’s like they seriously read my mind or something or it was a pure coincidence. Even though Relentless does have instrumentals, but it’s not a full instrumental CD or album, that’s if you want to make a comparison between the two. But it would make sense because after listening to the instrumentals, it was really good. It gives the songs a different tone verses Neil’s voice along with the back up singers. I personally listen to the instrumental versions a bit more because it gives a heavenly sound or the idea of being in the afterlife or peacefulness. My favorites on Elysium is “Leaving”, “Invisible”, “Your Early Stuff”,  “A Face Like That”, “Ego Music”, “Memory of the Future” and “Requiem in Denim and Leopardskin.” For the instrumentals the whole CD is good. It just really takes you there in euphoria. It’s like a journey of going back and for on life, afterlife, and so forth.  I also gotten the commentary last night, I didn’t want to come out of pocket because I heard about a promotional code but it’s okay, since my aunt gave me a gift card, thank God for aunts right?  It was a short but funny commentary about the songs with the Boys as well as David Walliams. I found out the Water sisters not only sung with Michael Jackson as backing vocals but also as well for Adele too or “Ego Music” is like the second part to “How Can You Expect to be Taken Seriously?”

A few comments I would like to point out that sounded like something familiar to me on a few songs in my honest opinion. “Leaving” on the beats or sound, it reminded me of Soft Cell’s “Bedsitter” 12-inch mixed with Dusty Springfield’s “In Private” well her version of the song. “Ego Music” actually reminded me of their demos where Neil be talking or having a dialogue conversation almost like “Closer to Heaven” demo or “My Night” demo. Then there’s a song on the Bratz movie where the antagonist sings a song called “It’s All About Me” kind of reminded about that, even though it doesn’t have anything to do with the song itself.  “Memory of the Future” is almost like a second installment with the word Future, because on Yes, their previous album, well the limited edition it had “This Used to be the Future” featuring Philip Oakey (Human League). I know the songs are different but the title alone sounds like some kind of trilogy thing about future, first on what it used to be, two now Memory of the Future. So it would almost go hand in hand. I would also point out that I didn’t like “Invisible” at first but it finally grow on me; however,  “Winner” won’t unless I hear it live, used in the proper context or the HappySad remix. It just doesn’t sound like something they would put out and it is a cheesy song unless it was used properly like at the Olympics Parade or something like that. And the other songs I haven’t mentioned, they would have to grow on me but the instrumentals are good, so it’s best to get the double disc if you can. My views on this will change but this is how I feel at the moment. Overall It’s a nice album minus a few songs, it does give me a Disney soundtrack vibe just a wee bit but still good.